Wieslaw Luczaj (1960), RANDOM I, 2013

acrylic/canvas, 100 x 100 cm
signed, dated and described on the back on the stretcher bar: Wieslaw Luczaj | Random I | acrylic | canvas | 100 x 100 cm | 2013

EXHIBITED:
- VISIBLE/VISIBLE. Between Science and Art, National Museum in Kielce, 2013
- Doppelpass, Kunstlerforum Remagen, Germany 2014

LITERATURE:
- Zeitgleich 2014 Zeitzeichen, Bundesverband Bildender Kunstlerinnen und Kunstler e.v.. Berlin, 2014, p. 169.

The geometric abstractions presented were based on circular diagrams used in statistics. The artist believes that "modern reality is a statistical reality." The computer calculations, which are the compositional basis of each painting, are the result of analysis of statistical databases. The image obtained through this postmodern method, is a visualization of information and refers to external reality. The order achieved on the canvas is not the result of a formal search, but reflects a specific, often non-artistic, problem of the present day.